Sinopsis dan Bocoran Ending Traps (1967)

Working for the first time with sound, I made TRAPS, a film scripted in jail on hearing of an acquaintance’s suicide, and LEAH. Both are “portraits” of alienated young women. TRAPS is harsh in both form and content, with long takes speaking to the camera juxtaposed against long silent sequences as, in an argument by accretion, the grounds for alienation are piled up. Ostensibly a “document...