Sinopsis dan Bocoran Ending The Painting (1972)

Beavers intercuts scenes of traffic in Bern with details from the 15th-century altarpiece The Martyrdom of St. Hippolytus. In its revised form, the film gains a psychodramatic intensity, juxtaposing Markopoulos in shafts of light with a torn self-portrait and recurring shots of a shattered windowpane.