Sinopsis dan Bocoran Ending The Divine Giselle (1997)

In the history of the Russian ballet theater, the name of Olga Spesivtseva occupies a place no less significant than the names of Anna Pavlova and Tamara Karsavina. The audience first saw her in 1913 as a beautiful young girl, gentle, captivating and timid, with huge eyes full of mystery. In the early twenties, this girl was a real idol of youth and a conqueror of Paris, and in the early nineties,...