Sinopsis dan Bocoran Ending Termites (1963)

Milan Šamec was a member of conservative stream in the Zagreb Cine Club, the one that denied and mocked the “anti-film”. Termites were made as an absurd demonstration that anyone can make an experimental film. He took the film, exposed it unevenly, and called the dance of visual stains that resulted — termites, because that’s what they reminded him of.