Potongan Adegan Public Scenes Paling Seru (2001)

The title is ironic in that the majority of the scenes are modest domestic portraits (a suburban dinner party, for instance, or a family enjoying a lazy afternoon) where latent emotional tensions only just break the surface - to be intuited rather than grasped directly. It is the recording apparatus that seems to capture these intangible currents and bring them under public scrutiny.Yet the status...