Potongan Adegan Peter Kubelka und Jonas Mekas Paling Seru (1994)

In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. These films are designed in such a way that the camera films a frontal view of the apparently motionless face, and a touch-a caress of the hair, a kiss, a hug-demonstrates the artist´s relationship with the subject being portrayed, who react in various way...