Potongan Adegan perhaps/We Paling Seru (2003)

"Like a world seen in sleep - a paradox of wakefulness and delirium, part lucid dream, part sunshine through sleep-heavy lids - the treated footage in Solomon Nagler's perhaps/We follows a cycle, with motifs of the ever-present twilight in a steel-blue Warsaw set against what could be (but probably isn't) archive footage, of an old woman asleep on a day-bed and an overgrown, forgotten Jewish Cemet...