Potongan Adegan Performance of Sorts with Brecht Paling Seru (2009)

“Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part dialogue in which Gidal’s translations of Brecht are spoken, Gidal stages an interrogation of his own practice as an experimental filmmaker and theorist via Brecht’s theatre theory. Without rehearsal (but with practice), Gidal “replied” and counter-in...