Potongan Adegan Partage des Eaux Paling Seru (2014)

At first glance, Jean-Claude Rousseau’s films seem like quickly outlined sketches. They are snapshots of various situations and locations, as in this program of nine miniatures, shot in hotel rooms and parks, at the shore of a lake, and – in the longest contribution – on a restaurant terrace. Rousseau’s observations of everyday life, however, are about precision rather than contemplation. ...